whiskey disco small batch 5 welcomes the long-awaited appearance by the man sitting in whiskey towers, sleazy mcqueen. this three-tracker perfectly encapsulates the label boss unique take on housey disco. from the boogie-heavy pretty baby, a late night chugger which has seen an earlier version released on house of disco to the party starting leftfield antics of smq s old band, tres gueros and rounding out with the smq dub of berliner snax recent album, out now.

2018 repress incoming!
in a pretty typical sabre fashion he has sent us a tune called >halo danger<, expectedly what we heard instantly was pure danger and another killer in the works … now here it is coming your way on the 4th of june 2012. insane production as ever, huge riff, huge snappy drums, huge low end. it is an instant dispatch fave for us! we say no more… on the flip we have sabres often studio production partner in crime halogenix bringing us something solo, completely creative, fresh and inspiring. his productions are quickly building a reputation and >laika< holds no exception!
dj support is very widespread on this release already coming from the likes of: dj marky, alex perez, ant tc1, jubei, spectrasoul, octane & dlr, klute, zero t, rockwell (ministry of sound radio), lenzman, icicle (as featured on rinse19 cd), ulterior motive, skeptical, hybris, kasra, nymfo & safire.

sometimes there’s a huge talent out there and you desperately want the whole universe to discover it. that’s pretty much the story of parisian label chuwanaga with young french artist koji ono, composer and producer of these four precisely crafted gems, recording everything by himself. brilliantly mixed by greita from disques flegon, his first ep incognito is the product of a lot of influences, from metro area vibes to the original britfunk sound. with an inner sense of elegance in the arrangements - something we may link to his japanese heritage? - the whole ep brings musicality back on the dancefloor. we believe this could be the beginning of a great story for this talented musician, koji ono emerging from the incognito shadow to the whole light of the world. don’t miss out!

this has always been a rare 12inch originally only released in the uk in 1979, phoenix was considered to be too disco at the time and the release pretty much sank without trace - one reason why finding those original uk 12inches is near on impossible these days. just 2 copies on discogs and a mint one will be circa £50 if you re ever lucky enough to find one. however, since 1979 phoenix has grown in stature and what was once considered to be a twee disco tune has now become a huge collector s item and a staple in the right clubs. no surprise really as this is norman connors at the top of his game and the production is red-hot. how phoenix never made it to 12inch vinyl in the u.s. is one of the great mysteries of life but here it is on beautiful fresh 12inch vinyl some 38 years later. as with all our 12inch re-issues we ve replicated the original label. luckily there are no bootlegs to contend with on this release, so this is the first re-issue of this song since the original release date, so order with confidence

the long awaited debut studio album from sza as transparent green double vinyl in gatefold sleeve.

limited mother’s day edition of 500 numbered copies on pretty pink & edgy dark mixed 180 gram audiophile vinyl.
the soundtrack of the black comedy film bad moms includes well-known songs and artists like dnce, kt tunstall, janelle monaé, foreigner, walk the moon, icona pop feat charli xcx and many more. christopher lennertz (medal of honor, sausage party, smurfs: the lost village) composed the score music.

we have encountered ice dog during one sunny belgrade afternoon while he was chasing what he was calling fish (actually slavic seniors transformed into dolphins and dolphin is not a fish). he might or might not told us the fore-coming story: a man complains of being hungry. all the time. dogs it seems are never hungry. so the man decides to become a dog. to be a dog one must walk on all fours. the hero decides to wear shoes on his hands only to discover that there is no hand left to tie the laces on the fourth shoe. what does a shoe-shod dog tie laces with? its mouth. organ by organ the man becomes a dog. one lace at a time his record transformed us into a new type of misunderstood creatures. most of the tracks are surprisingly fast and playable yet broken while others are groovy however noisy. i am pretty sure you havent heard anything like it before. but what do i know i’m a fish.
ice dog is an alias of 33.10.3402.
cover by martyna bolanowska / kaja kukul, a mastered by tim xavier at manmade mastering.

kalakuta soul records joins forces with waf80music to proudly present kai niggemanns solo debut, an all original album of outrageous poetically abstract music created live and without overdubs on a buchla 200e electric music box, one of the rarest and most sought after electronic music instruments. working on the platform since 2013, kai niggemann has become one of germanys leading artists who perform live with a buchla 200e. his style is an electro-acoustic storytelling, a clubby dreamscape and a poetically-abstract kraut-infused energetic mix of new elektronische musik with contemporary club culture. nerds love the technology and clubbers love the throbbing drive of the basslines. its all improvised and recorded live in berlin — yet it sounds meticulously crafted in a dark basement studio throughout the entire last winters.

a collection of singles, b-sides, rarities, covers, and remixes from the killers, recorded between 2002 and 2007. now back on 180 gram double vinyl, housed in a gatefold sleeve.

180 gram brazilian polysom re-issue of the polydor original.
quite possibly the last truly sublime album ever recorded by os mutantes – a set that’s a bit more rock-oriented then their first few, but still pretty revolutionary overall! the group have expanded to a quintet at this point, but haven’t yet falling into the guitar-heavy groove of later years – and rogerio duprat is working with the group on arrangements, although mutantes member arnaldo baptista is handling production chores himself. odd styles still slide into the mix as the tunes roll on – creating that great sense of surprise that makes their best work so great, and keeping things fresh even when a bit more straight ahead! titles include a reprise of -baby-, one of the group’s early classics – plus -portugal de navio-, -virginia-, -tecnicolor-, -el justicero-, -lady, lady-, -sarava-, -it’s very nice pra xuxu-, and -top top-.

alonzo is an electro guy. raised in miami and now living in brooklyn, he has been brewing tracks for years. these electro/futuristic miami bass tracks are finally getting the release they deserve. recommended for fans of dopplereffekt, pretty tony, and the west coast sound of holland.

vinyl release of the original motion picture soundtrack from “pitch perfect 3”.

audiophile re-mastering by ray staff at air mastering, lyndhurst hall, london. pressing on 180 gram vinyl.
the best r&b songwriter and soul singer that most people have never heard of, sam dees has written songs for countless artists, including gladys knight, aretha franklin, whitney houston, george benson, the temptations, teddy pendergrass, millie jackson, jackie wilson, the manhattans, regina belle, kc & the sunshine band, willie clayton, and many others. he’s also a pretty fine singer, having recorded for the chess, atlantic, polydor, and sss labels, and he had a nice string of his own hits in the 1970s.
his 1975 atlantic album “the show must go on” has long been regarded by southern soul aficionados as one of the best of the genre. sounding a bit like a deeper-voiced curtis mayfield (in both style and theme), dees sings with assurance, wisdom, passion, and a whole lot of soul here. songs like “child of the streets”, “troubled child”, & “what’s it gonna be”, share mayfield’s commitment to social commentary, and dees knows his way around a love song, too.

pretty great sounds from the legendary antonio carlos jobim – an album cut a bit later than his bossa years, but with a darkly sophisticated sound that’s pretty darn compelling! the album features larger orchestrations by claus ogerman, and in a way, it’s similar to the jobim album on decca from 1973 (aka maita pere) – in that it’s got all the simple elements of jobim’s earlier bossa scoring, flushed out into moodier orchestral forms that we’d rank right up there with the modernist work of gil evans or duke ellington. a few cuts have a breezier sparer sound, and you’ll hear english versions of some older bossa tunes. titles include -dreamer-, -canta mais-, -olha maria-, -wave-, -two kites-, -this happy madness-, -song of the sabia-, -estrada do sol-, -voce vai ver-, -off key-, and -triste-.

kidnap kid’s birds that fly label got off to a flying start with his ow&#8203,,,,,,n release,‘ moments’ feat leo stannard picking up over two million plays and shaking up the spotify / hype machine charts. next up on the imprint is rising uk star apple&#8203,,,,,,bottom with &#8203,,,,,,‘the ride’ ep, an artist that draws many parallels to kidnap kid’s own early career as he barely has made his way out of his teens but already caught the ear of some of the most sought-after labels and radio establishment. annie mac can’t get enough of him and his releases on kerri chandler’s madtech, zed bias’ biasonic and uk powerhouse black butter records have coined him one of the future figureheads of dance music. applebottom has come to be considered a beatmaker able to transverse genres with that rarest of production talents: the consistent ability to make a straight-up club banger, which makes him the perfect follow up for birds that fly. “‘theride’ was quite a diff&#8203,,,,,,erent piece of music for me, ’he explained of the track, ‘i had been thinking about where i d want to release it and i was pretty stuck. but shortly after i d finished it kidnap kid’s first ep on birds that fly came out, and straight away i felt a connection with the sound and a lot of the music i’ve been making recently. it already feels like it has a clear and distinctive sound forming and i can t wait for my music to be part of that.” applebottom hails from the musical mecca of bristol but shares a pioneering view of its style and output. “&#8203,,,,,,i think a lot of people have just gotten too comfortable making the same sounding dance music - and for me that kind of defeats the point, there’s so much variety in it. i feel that particularly for my generation anyway, we’re a lot younger as producers and it’s kind of our job to be that next generation that produces that next sound. we should be striving to make something new and different and build our own vision of what it should be.

known for housing a famous beastie boys sample, the reissue of the 1975 funk and fusion classic funk factory brings peerless polish and american players together for a groovy, eccentric journey. it was an album cut from this lp that captured a particular corner of the music-geek imagination for more than 40 years: “rien ne va plus,” from the self-titled 1975 album, had its reckoning with the canon when the dust brothers sampled major chunks of it for beastie boys’ “car thief.” “rien ne va plus” is a banger, all post-head hunters springy synth-bass. as for the rest of the album, funk factory can stray pretty far into the cheerier excesses of prog-jazz. it emphasizes the alluring strangeness of its more experimental moments, like the hallucinogenic haunted-house tour of “lilliput” or the banshee james brown vocal riffs on “horsing around.” “rien ne va plus” remains the top highlight. this album is proof that a core of musicians schooled in jazz but culturally steeped in the folk and classical traditions of eastern europe could, at least once, put out something that fit well with the crossover sound of the times while being unafraid to dive into freeform weirdness.
pressing on 180 gram audiophile vinyl.

new york city based further reductions is the live project from husband and wife shawn (aka vapauteen, 400ppm, let er est) and katie o sullivan (aka rose e kross, ppg). back in 2014 they released their gorgeous debut album on cititrax records. the album was an adventurous trip, where they pushed forward a unique sound. after all those years there will be a follow up to this ep on knekelhuis. expect a fusion of different sounds, grimy and pretty at the same time.

fat vinyl box !

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,,,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

ltd repress khotin debuts the new alias “waterpark” on this aquatic self-released 12”. a club tested breakbeat dripper, with super pretty melodies twisting throughout on the a side and a mellow early morning dub tune for the b side. recorded at deep blue in vancouver, bc.

bonnie & klein can often be found cruising round labels like music for dreams and leng, imparting tender touches of balearic finery for those who like to cruise on the slinkiest of 80s flavoured jams. they re on cracking form for this return to uber, kicking off with the sultry -tones of ballad-, which gets a subtle beefing up from drifts projects on the remix. -pretty lake- is the cut for those who want to achieve pure transcendental bliss by way of canned slap bass and sustained chords, and then -snowdrifts- finishes the ep off with a thoughtful piece shaped out by sweet piano and stirring strings.

a collection of 16 christmas classics, recorded between 1949 and 1976. featuring performances by elvis presley, frank sinatra, roy orbison, harry belafonte, dean martin and many more.

this album has been many years in the making. around 2005 we were gigging, playing hip hop breaks and supporting acts like krs-one and raekwon. we wrote a lot of our own material, but we never properly recorded it in a studio, we did however make lots of -one mic- recordings onto a mini-disk player. tom kept hold of all of these recordings and in 2011 send copies of everything to the rest of the band. a short list of 30 were chosen to record properly. a basic studio was booked, and recording began, initially it was pretty basic, just drums, bass & keys with guitars overdubbed the following day. with these foundation rhythm tracks tom went away and edited them, creating structure, extra layers and demo mixes. these demo mixes were used to send to mcs. it was decided to go with american mcs as the type of thing we listened to when we wrote a lot of our material was classic 90s hip hop. el da sensei & sadat x were the first to respond to our request, and soon features were flying through ever other week. we actually had enough material for 2 albums, but picked what we wanted to represent our first release and continued to develop the material, including adding session musicians for harps, brass, strings and cuts. we chose 4 tracks to create videos for and got the ball rolling with various video makers. the final year was spent mixing, sequencing and deciding on artwork. the title cinder hill is reference to where the band spent many afternoons practicing at john & joe’s parent’s house, their mum maggie passed away in 2016 and the album is dedicated to her for her endless support and love for the music.

some might say jordan fields is one of the most criminally underappreciated figures to rise out of chicago in the late 90s, not for people who know what s what though. after a career spanning more than 20 years he has established himself as one of the key figures of the underground. coming out of where everything started, chicago, jordan released records on a handful of key labels like catalyst, track mode, som underground, mood groove, maffia. he did not stop there and today he is still releasing bangers having never lost that magic touch that has kept him firmly grounded on the purest form of the underground, and that, after more than 20 years is pretty much unheard of. when we first contacted jordan we wanted to go back to where it all started, we wanted to be transported to late 90s chicago, to a time where it was all about the dance floor, when tracks meant something more than songs, when purely club-oriented music was the purest form of the underground. to be honest we were not expecting to get exactly what we wanted straight away, he immediately sent us a collection of tools straight out of dat tapes he had, going all the way back to the 90s and early 2000s, so yeah to say that we are excited with this release would be a huge understatement. this is a collection of tools meant for the dancefloor, not reminiscent of some gone by era, these are the real deal, made by a true master, 20 years ago, for the future.

“i’ve said it before, but dancehall and its influence on uk music has been a massive inspiration for me, going way back to hearing chris goldfinger on radio 1 playing music that was like nothing else i’d heard before. i love that fundamental rhythmic pattern, and i love how within the same world you can have some tunes that are built around the sweetest melodies and harmonies, and others that are built around super-tuff minimal drums and crazy squeeks and bleeps.
when it came time to build another ep for critical, i decided to link up with my good friend and long-time collaborator rider shafique, who has a much deeper knowledge of this music than me, and together create something that references both old and new dancehall, while still being playable in the kinds of sets i ve become known for. there’s no halftime and no chopped-up jungle breaks here - we wanted to make something really focussed and even disciplined - and hopefully we’ve succeeded.
big shouts to the vocal collaborators - super hyped to work with stush on a tune, irah came through with the righteous fire, and tiffanie malvo absolutely bodied her beat - but ultimate biggups have to go to rider. this wasn’t a project where i made the beats and rider voiced them - for pretty much every tune, we worked and reworked the riddims together. we’re both stoked on the results, and it seems like people in the dance feel the same way.” - sam binga

randomer & hodge, alden tyrell & serge and kowton on remix duties... a pretty near perfect basement session even if we say so ourselves . dont stop!!!

reissue of a very rare 1965 album, gathering sonia potiinger’s earliest productions with 12 tracks including baba brooks and the techniques!

the third release on beer is here and it contains something of an all-star cast. we got terrence parker remixing jamie 3:26 & masalo + art of tones, it s pretty damn hot! limited stamped 12inch

kalita records release their first in a series of coveted reissues, starting with the three choice cuts from nst cophie s 1980 private press ivory coast afro-disco album mon da center. after moving to paris in 1976 and having played with other well-known bands such as n bamina, osibisa, and with numerous artists including jimmy hyacinthe and papa wemba, mon da center was ernest s first solo album. recorded at studio caroline in paris s 20th sector over the space of one week, this self-funded ultra-rare album regularly exchanges hands for eye-watering prices. pretty much unknown except to the most hardened of diggers, bian kou , e clolo and mioukouna are guaranteed to set any dance floor alight, with hypnotic afro-disco grooves, killer drums and angelic female vocals.

classic disco , pressed on 180gr

the outside agency is back with another edition of their infamous goes noord vs. the rest of the world series. the fourth installment features collabs off of toa’s scenocide 404 with totally bad dudes like mindustries, deathmachine, dither and fracture 4. all tracks are sitting pretty between 150 and 160 bpm. true semi-industrial beats for those that know.
pressing on clear vinyl, download code included.

get weird does love a tune that conjures up the feeling of or suits being played out in the desert. “falling” does just that. it was built to be played outdoors with it s spacious vibe and tight groove.
joseph’s a perfectionist and refined the production sound many times before finally giving us the pleasure of releasing it.
“dominika” is lighter. pretty and fun. it brings a smile to our faces every time.
enjoy joseph ashworth’s “falling ep” indoors or out. nighttime or by day.

this is a selection of previously unreleased tracks created at home by enrico serotti, without any purpose other than the fun of playing with new musical devices. the tracks date from 1983 to 1999. a pretty long time span, coinciding with the transition from analog to digital technology. cover art by alessandro pessoli.

west side story became the smash hit stage musical of 1957 through a combination of leonard bernstein’s dramatic score with jerome robbins exuberant dance routines. the long awaited film version arrived in 1961 and starred richard beymer as tony, rita moreno as anita and natalie wood as maria. its original soundtrack album clocked up 53 weeks on top of the billboard stereo albums chart and 12 on the mono, making it the album with the most weeks at number 1 of the rock (post 1955) era.

we welcome dmx krew back to super rhythm trax with another ep crammed with highlights. the ep opens with the stunning grand tour sounding frighteningly like a never heard classic from 1989 before the rug is pulled from under your feet and you fall into the menacing stomp of death blip which pretty much does what you d hope. flip the record for the crafty jack of the wiggly worm before the ep concludes with the wistful simplicity of old groove . dmx does it again!

london duo kaleida return with their debut album “tear the roots” on lex.

pink fluid is not an italian edm duo by the same name but the new band of jon tye & pete fowler who form the core of seahawks! as ransom note once called it: a partnership born of a psychedelic guide to monsterism island - the soundtrack to pete s illustrations, toys and figures - cemented by gigs playing records by boston, steely dan and fleetwood mac at the big chill bar, fuelled by a passion for vintage music-making machines, and given a name after a weekend spent in sailors outfits at bestival. from tracks synthesised around aor samples, seahawks now record pretty much as a full band - which includes members of hot chip and the horrors. so, what happened to pink fluid… ? jon: the first pink fluid release pipe dreams’ is coming up on prins thomas horizontal mambo imprint, we don’t know when but we know it will be beautiful when it does… and it does now! pipe dreams is an 8 track, 32 minute mini album of sheer, almost translucent, beauty. mambo hq 26.7. 2017 horisontal mambo is a new sublabel by full pupp /oslo

we are happy to welcome this talented artist from bucharest. vincentiulian is no stranger in the scene and his great releases on barac’s label and other romanian imprints has got him a pretty good recognition in our music scene. this ep is a 2 tracker and a remix from the head of the label nima gorji.

coyu is working on his highly anticipated debut album it will explain a story, my story attests the big cat. it s the first chapter of this story and the debut single of the album is 1+1, a track made in collaborating with thomas gandey a perfect summer track, powerful but addictive and catchy. in coyu s own words 1+1 it s me and my girlfriend, me and my mother, me and my team, suara and me, my music and me, the world and me. because without the people you love and all that you love you are nothing. 1 + 1 is a claim to love and be loved, to embrace sensibilities, to create synergies and teamwork. but also, it is the communion of my two great passions: techno and house music. nine minutes of linear and heavy groove that melts with the notes of an emotional piano. it s a track that i m deeply proud of, i am pretty sure that in 10 years from now i will continue to enjoy it like i did the first day it was finished and after a year and a half i can now say that it is just as much mine as it is yours. because you and me are also 1+1. for the remixes probably we have the greatest pack ever on the label: gerd janson delivered an amazing interpretation of the track: truncate takes the track down to raw techno, less is more. last but not least we have the introspective trip of cosmin trg which completes one of the releases of the year on the kitties labe

the must have status of joey negros -remixed with love series has been firmly cemented with both dj and home listening disco lovers since the release of the first two volumes. since the last release jn has been working hard on sourcing more disco multitrack tapes and producing new remixes while the zr team have been equally dedicated to clearing and licensing these new versions. the enduringly popular mtume/lucas produced phyllis hyman soul classic you know how to love me gets a new makeover that reworks the original elements into a more dramatic version with many peaks and troughs, stretching it out to over 10 minutes. even for those love the original this new mix gives a favourite song a fresh new perspective and reason to be played again. motown sounds philly style instrumental bad mouthin was an underground hit on dance floors in new york, london and chicago from the late 70s onwards. it was also famously sampled in bob sinclar s no 1 gym tonic. the original is a pretty dense, everything in all the way through style production, whereas the jn mix opens things up in a bit with more room for the individual parts to be heard. the end result is an extremely energetic bassline driven disco cut that works super well on the dancefloor.

here at quantize we simply love confounding expectations cos, guess what? we love all kinds of music and don t like to be stereotyped. but this one even surprised the hell out of us so much so that we figured it deserved a 7inch vinyl release in tribute to the original format. think (about it) was originally recorded 45 years ago in the summer of 1972 by the fiery lyn collins. produced by the godfather of soul, james brown, it barely scraped into the rnb top 10 at the time and normally would have faded into time as just another great james brown produced record but in 1987, it started to get sampled by a new generation of hip-hop artists like roxanne shante and robe base and dj e-z rock. suddenly the world woke up to the possibilities of sampling and since that point, think (about it) has been sampled 1908 times and is the no.3 most-sampled record of all time. so we decided to cut a new version of it with real musicians and one of the few vocalists that would be capable of matching lyn collins firepower - dance music s diva supreme, the incredible barbara tucker. we wanted barbara to really cut loose on this and she didn t disappoint. and yes, those are real keyboards, real guitar and real horns. believe us, this session was off the scale! so when we finally got our breath back we decided we had to get this out on a 45 on its 45th anniversary! it seemed the most appropriate way to do justice to a record that simply jumps outta the grooves. we believe think (about it) will have universal appeal pretty much everywhere since the song is now implanted within the dna of dance music across the world.

“eagles & butterflies has taken storm in electronic wonderland - boiler room arpeggiator was originally titled 14 minutes of arps and its exactly that. its one of the simplest tracks iv ever made with probably only 8 layers that your weaves in and out the whole way through, really love the subtleness of this track where at the same time it is also a beast! oyeme is maybe the e&b sound people are familiar with, big marimba melodies, fat sub and rolling hats with a big break, love this one prophet was originally just an experiment when i purchased a prophet 6, its a little crazy and pretty full on, love the funky bass in the one from the sh 101. all the parts for this where recorded in a few takes live and two whole track was made in 2 hours!

nice price deal !!!

as part of our 10th anniversary this year, huntleys + palmers are very excited to present a special release with a combination of our musical influences old and new smagghe & cross feat. matthew herbert + remixes ivan smagghe has been a long time influence on the h+p world and we re huge fans of his new smagghe & cross project with the film composer and programmer, rupert cross. not only that, but one of the tracks features another hero, matthew herbert - making a rare appearance on vocals (and sounding pretty robert wyatt-esque in the process). additionally, we re really chuffed to have commissioned a honey soundsystem generator remix by jackie house, super-swedes, samo dj & pedrodollar turn in a trippy groover, and have enlisted the services of the dj who played the first ever h+p party back in 2007, pilooski - completing another circle during the 10th anniversary year.

c joynes is a musician whose playing has consistently invoked a broad and shifting stream of inspirations.

bo diddleys greatest singles from the checker years on 180 gram double vinyl in gatefold sleeve.

a 1981 classic back on 180 gram heavyweight vinyl

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

schwarzes 180g vinyl inklusive downloadcode im single sleeve.
das mysteriöse projekt hype williams ist mit einem neuen album zurück auf big dada. in einem statement zur album ankündigung wurde angegeben dass die ursprünglichen mitglieder dean blunt & inga copeland nicht mehr teil der gruppe seien und ihre letzte gemeinsame veröffentlichung 2011 auf hippos in tanks erschien. die größte aufmerksamkeit bekam das ursprünglich 2005 gegründete projekt bisher für seine ep kelly price w8 gain vol ii, welche ebenfalls 2011 auf hyperdub erschien und große kreise in der welt der elektronischen musik zog.